If I can’t log in on the machine, I can use the browser to fetch things. Therefore I keep everything in a Creative Cloud storage folder. I’m not always working on my own machine, and so I often want quick access to my LUTs and tools. It’s a nice backup when Photoshop’s built-in LUT generator is acting up. IWLTBAP’s LUT generator isn’t always the most convenient tool, but it works in a pinch. If you still had a working copy, you could even get a LUT out of Apple’s Aperture.

This means that you can generate a LUT from just about any piece of software. Basically, a user generates a HALD image, affects this image as desired, and feeds the affected HALD back into the LUT generator. This one is a bit more obscure and older, but it may help beginners get a grasp on what a LUT actually is. The free version will only work with 8-bit video footage, but that’s still free so take what you can get. However, its speed and ability to export LUTs for monitors make it particularly helpful for dealing with LUTs. Of course, the grading abilities are at the top of the industry. Much like 3D LUT Creator, Resolve is a very handy tool to have on set. For example, saturating a backdrop without affecting skin tones.

If a client doesn’t like what they see on the monitor, I can quickly generate a new LUT based on the original LUT. I’d recommend the pro version if you’re looking to do more than just small tweaks.ģD LUT Creator has really helped me on set. It starts at $99, and ranges up to $250 for all the bells and whistles. While I often use it to supplement Premiere Pro’s Lumetri system, it works brilliantly for Photoshop and Lightroom. 3D LUT Creator is the tool I turn to when I need to take the redness out of someone's face without affecting their red jacket. An obvious choice, this application is a precise tool for professionals.

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